Whether you've lived there your whole life or have never been, she is the tour guide you want to the world's most beautiful and broken city. Her stories of modern existence in ancient Jerusalem come to life through in-depth portraits of this historic city's residents. In spite of the fact that perspectives are deeply polarized, and fear and interpersonal conflict are a constant reality, Sarah Tuttle-Singer gives us the 'real dirt' that shows us that co-existence is not only possible but happening each and every day. This is a hard-hitting book about hope that offers us glimmers of humanity that can help us imagine a time of peace and acceptance that, today, seems so far away.
Sarah Tuttle-Singer captures the sensuality, anger, and promise of the Holy City in a narrative that moves from one incredible true story to another. Her pilgrimage is intimate, irreverent, unashamed-and written with haunting beauty. In this brilliant and fascinating book, Tuttle-Singer brings us Jerusalem in all its ugliness and beauty, darkness and light, bad and good.
With the honest, funny, and sad stories of her life and of the city, one can not stop reading until the end. Sarah's distinctive voice will give you the chills on every single page as she celebrates the beauty of Jerusalem while detailing the complexity of loving a city so embattled, so diverse, and so difficult.
This book is simultaneously a love letter and a declaration of frustration; a poem and a song; a masterpiece of confusion and undying affection. Lees de eerste pagina's. Reviews Schrijf een review. Bindwijze: E-book. Direct beschikbaar. Verkoop door bol. Ebook Op verlanglijstje.
E-book is direct beschikbaar na aankoop E-books lezen is voordelig Dag en nacht klantenservice Veilig betalen. Anderen bekeken ook. Heike Zaun-Goshen Beyond the Wall 16, The Institute serves the conservation community through scientific research, education and Join us for the 2nd Day of the New York City Tour - as we engage in special behind the scenes tours of major cultural attractions.
Depending on the construction schedule a tour of the renovations might be possible. Explore the Thaw Conservation Center, a world-class laboratory for the conservation of works on paper and parchment—drawings, prints, photographs, illuminated manuscripts, rare books, fine bindings, and literary, historical, and music manuscripts. Designated areas accommodate wet and dry conservation treatments, book conservation, matting and framing, advanced seminars, graduate internships, postgraduate fellowships, and visiting scholars. Hear about MOMA's upcoming expansion and its effect on the conservation departments.
Enjoy a guided tour of the collection by a conservator. The collection presents many conservation challenges. In many ways the museum is tasked with preserving damage. Tuesday May 14, am - pm multiple NYC venues. The University has supported collections conservation collections for many years, and conservators and technicians from the Yale Center for British Art and the Yale University Library will open the doors to their labs for tours and conversation with staff about their spaces — one in continuous use for three decades and another constructed in The tour will begin at the Yale Center for British Art.
The Center, designed by architect, Louis I. Kahn — , recently completed a major three-phase building conservation project. Attendees will have the opportunity to tour the paper conservation laboratory, which opened its doors in Attendees will have time mid-day to grab lunch and visit gallery exhibits at the Center or the Yale University Art Museum, located across Chapel Street. The visit will highlight the design process and the approach taken to creating functional areas for wet treatment, an automated box making machine, expanded exhibition preparations, and photo-documentation.
This workshop will address the use of dyes and pigments from the eighteenth century to the present using textiles from the Historic Textile and Costume Collection and the Textile Science Laboratory. The workshop will also cover two other topics of value to conservation professions including dye identification—from sophisticated to simple—and dye-fastness issues.
Lunch will be provided for workshop participants. Transportation will be provided from the Mohegan Sun — bus departs at am. Speakers Susan J. Susan J.
Rebecca J. Kelly is a textile historian and conservator. She continues to work as a consultant assisting numerous organizations and private clients with the Margaret T. Linda Welters teaches courses in history of fashion, research methods, and material culture; she is Director of the Graduate Program as well as Director of the Historic Textile and Costume Collection; her area of specialization is the cultural history of textiles and fashion Workshop , Textiles. The tour will start with a box lunch and a discussion of recent conservation projects at the Mark Twain House.
To follow will be a special behind the scenes tour of the house focusing on the ongoing conservation issues facing the museum. Next visit the Harriet Beecher Stowe Center for a special tour that focuses on the restoration of the house.
You will also have time to delight in the historic Stowe gardens in bloom. The bus will leave the Mohegan Sun at am, to arrive in plenty of time for the start of the lunch discussion at pm.
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If you are flying into Bradley Airport on the morning of May 14 -- you can take a cab or ride share directly to the Mark Twain House and meet the tour at pm. The Mark Twain House has graciously agreed to provide a space to store luggage. Bus transportation back to the Mohegan Sun will be provided at the end of the tour. Tools, techniques, and tactics, including rational scaling strategies such as risk assessment, are all valuable recognized aids to achieving our goals.
But are our goals set in the best possible ways for meeting the needs of our institutions and the societies they serve? Or might they be self-serving in making us believe by doing work just as we have been trained to do leads to the highest possible social benefit? What are we really trying to do anyway? Just perform collection care work?
Or plan and execute selected activities in pursuit of a strategic goal? As leverage points for improving a collection care system, tools, techniques, and tactics have considerably less power than strategic-level system interventions such as formulation of high-level goals and even transcendence of paradigms. Directly considering the latter immediately uplifts our perspective to the broadest institutional and societal goals. This session will employ a variety of idea sharing approaches including: A combination of solicited and invited presentations on traditional and non-traditional uses and values of diverse collections.
Discussions will explore the range of opportunities and challenges of greater societal engagement in defining the goals and meanings of preventive conservation. Adopting a values-based approach in collection management and conservation is critical to ensuring that these functions have a clear focus on the higher societal goals of your institution. The approach ensures collection investments are aligned with institutional priorities and are as efficient and effective as possible.
The transition from an object and material focus to a value focus is not always an easy one for professionals whose education and experience have usually been centered on object and material focuses. The transition can be greatly facilitated by managers participating in the transition. This session has been developed to engage managers in partnership with collection managers and conservators in engaging in that transition.
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We hope you will join us in this sea change initiative. Learning outcomes for you as managers will include: Understand limitations of traditional object- and material-based approaches to collection care work. Learn the power of word choice and positioning to focus on value-based strategic outcomes, rather than task-oriented goals. Explore how to create stronger stakeholder interest by directly connecting collection preservation to societal values. She has over twenty years experience working with both large and small art and history collections, including the Metropolitan Museum of Art and the Museum of Fine Arts, Boston I have been working in and studying in conservation and collections care in Wales since Specializing in cultural property risk assessment and management.
Strong background in natural sciences, preventive conservation, material science and conservation science. Accredited by Canadian Association of Professional Conservators.
Pre-Session Symposium , Collection Care. It is never too early in your career to cultivate the skills needed to be an astute and effective leader. Regardless of job title or institution, there are leadership and management tenets that you can apply in every situation.
To be successful today as a leader, you need to be able to use your personal strengths to be authentic, embracing change through the ability to influence and effectively communicate to achieve sustained results in a meaningful way. Emerging conservation professionals need to fully understand the power of serving others by applying influencing skills, and knowing when to use situational leadership techniques for success.
This half-day seminar will be led by noted leadership lecturer and facilitator Bob Norris. The content of this session will be geared towards early-career professionals who have completed their graduate studies and have experience working in professional settings. This is a pilot seminar and participation will be limited to 24 individuals. The First Tee is a National non-profit that empowers youth and impacts the lives of young people with educational programs that build character, instill life-enhancing values and skills and, and promotes healthy choices Conservation Technology Showcase Changes in technology occur in our lives every day.
How are conservators putting new technology to work? The Conservation Technology Showcase will highlight advances in the science of art conservation of historic and artistic works. The showcase will feature some of the latest contributions to the field as a result of Preservation Technology and Training Grants from the National Center for Preservation Technology and Training, an office of the National Park Service. Participants can move between stations to gather information, watch demonstrations, and ask questions. Each station will have handouts that highlight case studies relevant to a wide range of conservation specialties.
There will also be demonstrations and hands-on experiences. Participants will have the opportunity to: Interact one on one with researchers studying cultural materials Discover how analytic al techniques such, as Infrared Spectroscopy, Raman Spectroscopy, Petrography, 3D Imaging, or Optical Profilometry, to name a few, might be used to study works of art Learn how new treatments are being developed for practical use in the field Find new online resources that can help improve conservation practice Discuss research ideas and grant opportunities with the National Center for Preservation Technology and Training.
She is fascinated by the application of scientific analyses to understanding materials and the people who made them. Michele R. She worked at the University of Arizona Analytical Center and then for twelve years as a conservation scientist at the Getty Conservation Institute Jason divides his time between original Chandra L.
Stephanie Spence received her M. Stephanie received her B.